[ a disheveled man walks out of his room, looking around with a great deal of concern. this might not be uncommon here, but it's happening. this is not his beautiful house, with his beautiful masks.
if he notices someone else, though, he'll very quickly regain his composure and put on a smile - he is a businessman, after all, where would he be if he couldn't - and greet them. ]
Excuse me - I'm afraid I don't know exactly where we are. Can you point me to someone in charge?
2
[ at least their captors were decent enough to leave them whiskey - though he hesitates a little before taking it off the shelf, for fear of something he doesn't know exactly. poison? a booby trap? if he's in some kind of old movie, he might as well try to think of things in those terms. ]
You want one? No reason not to take what you're given, in a place like this.
[ guess he heard you come in? he definitely said that without turning towards the door. ]
Norman Osborn | Spiderman (2002)
[ a disheveled man walks out of his room, looking around with a great deal of concern. this might not be uncommon here, but it's happening. this is not his beautiful house, with his beautiful masks.
if he notices someone else, though, he'll very quickly regain his composure and put on a smile - he is a businessman, after all, where would he be if he couldn't - and greet them. ]
Excuse me - I'm afraid I don't know exactly where we are. Can you point me to someone in charge?
2
[ at least their captors were decent enough to leave them whiskey - though he hesitates a little before taking it off the shelf, for fear of something he doesn't know exactly. poison? a booby trap? if he's in some kind of old movie, he might as well try to think of things in those terms. ]
You want one? No reason not to take what you're given, in a place like this.
[ guess he heard you come in? he definitely said that without turning towards the door. ]